I like to think that I have rubbed elbows with some ofthe brightest stars in the music industry. Just when Ithought the pinnacle had been reached, along came aspider. That spider goes by the name of StacyMitchhart. Some supporters of Mitchhart asked me toemcee the show and I jumped all over the opportunity.That was clearly my best decision of 2004. The band opened with Earth Wind and Fire's Africana. Iknew it was going to be a special evening when thehorn section made their statement. They were a mixtureof Chicago, Blood Sweat and Tears with a dose of Towerof Power. The audience was the main course and thehorns cut them into small fractions. The audiencegreeted Stacy like an old friend who just returnedfrom a military mission. He did open heart surgery onthe audience with his version of Lattimore's, "LetsStraighten It Out." I was blown away with theFluglehorn solo on Taxi. Jay Blackfoot would have beenjealous of Stacy if he walked into Billy's Place thisevening. There are many special ways to describe aMitchhart show. I particularly noticed that everypiece played seemed as if Mr.Mitchhart wrote ithimself. This fine artist has released six Cd's andmost of the cuts are of his own writing. His vocalsare so smooth that you tend to overlook hisaccomplishments on the guitar. He received the AlbertKing award for his licks. During his rendition of Halland Oates "Sara Smile," the crowd was taken hostage byStacy's touch of Ernie Isley in the culmination ofthat tune. I can't say enough about the man simplyknown to his fans as Stacy. I opened for people likeBobby Bland and many others. This was a new anddelightful experience for me. The band goes by thename, "The Blues You Can Use." This broadcaster cameaway from that show with a new perspective on blues.Tonight was all about the good times. I have been inthis business for twenty eight years and received anew appreciation for the blues. On second thought,this was a true concert. Wallace L. Garner III